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Blackface is a form of theatrical make-up used predominantly by non-black performers to represent a caricature of a black person. It is and has been considered a racially insensitive representation of blackness by the African American community.

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The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon ". Blackface was an important performance tradition in the American theater for roughly years beginning around It quickly became popular elsewhere, particularly so in Britain, where the tradition African pussy play longer than in the U.

Early white performers in blackface used burnt cork and later greasepaint or shoe polish to blacken their skin and exaggerate their lips, often wearing woolly African pussy play, gloves, tailcoats, or ragged clothes to complete the transformation.

Later, black artists also performed in blackface. Stereotypes embodied in the stock characters of blackface minstrels not only played a significant role in cementing and proliferating racist images, attitudes, and perceptions worldwide, but also in popularizing black culture. Another view is that "blackface is a form of cross-dressing in which one puts on the insignias of a sex, class, or race that stands in opposition to one's own.

By the midth century, changing attitudes about race and racism effectively ended the prominence of blackface makeup used in performance in the U. Blackface in contemporary art remains in relatively limited use as a theatrical device and is more commonly used today as social commentary or satire.


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